The figure's reclining pose exhibits a graceful flow despite being composed of sharp, disjointed fragments. The smooth, polished quality of the remaining stone contrasts dramatically with the rough, broken edges of the marble blocks. This segmentation transforms the classical form into a deconstructed, almost cubist abstraction. The use of light and shadow is maximized by the uneven surfaces, giving the piece a strong textural presence. Ultimately, the work conveys a captivating tension between classical beauty and dramatic physical ruin.